![]() ![]() This article posits gothic depictions of the haunted forest as important counter-narratives to extractivist representations of nature in public narratives in Brunei, including government policy and advertising for environmental tourism.The critical discussion will focus on a contemporary Bruneian text, Aammton Alias’sThe Last Bastion of Ingei(2016). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians/Africans/Arabians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. This is an open access article under the CC BY-NC-ND license (). Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. Keywords: Malay Motifs Sarawak Songket eISSN: 2398-4287© 2021. This study shared different design Malay songket motifs in Sarawak and represent their tradition in textile heritage. The identification process defined that the Sarawak traditional Malay songket motifs mainly develop from various floral sources reflecting and inspiring nature. This project begins with a review of related literature that provides an example of textile-also supported with visual data on Sarawak traditional Malay songket gathered from the field visit, which is captured into the digital compilation. This study is partly an ongoing project to identify the floral motifs design on Sarawak traditional Malay songket. ![]()
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